The Temple Theatre opened yesterday at the Teatro Principal de Zaragoza on Don Juan Tenorio de Zorrilla. The rogue and troublemaker Tenorio, lover of women and butcher of the knights, gives rein to his pen in a bar run by a Buttarelli skirts and creatures of women. The text is original but the sudden gestures, black leather and tight pants and bell in the carriage on the sidewalks lead to the seventies of a Spain in transition of stray dogs Chula gait, breast removed and joggers cock the streets by the name of pimp. Temple
's proposal is risky and yet works very well in the first scene between pimps, hostesses and colleagues with shirt collars so big as their egos. Don Juan in the street gang loses the spark of the beginning, will be at night or maybe the ladies to show less street. Then comes the really love to see the Guadalquivir, and Tenorio enthralled with the virginal beauty covers her eyes, silent gesture arrabalero definitely the face of love. And they come on the blades and dreamed of a duel where the steel bandit silver stain the moon of fire. But the knife was so despicable and faster than expected where there were only showcasing scenes. Back
Tenorio iron, hair in search of their dead. Doubts and fears plaguing him, or perhaps are emboldened remorse until he lost his excesses with wine and consciousness, and a celebration of the die for the same steel that was once the glory of his name and his stubbornness.
dramatic work to change the time at which the action is success because it keeps the words of Zorrilla shaped by the actors with excellent results, reciting cadence calling the characters and the clarity required by the tables. Never mind that the officers did not arrest the cock, or that the landlord is a waitress, even nuns and priests change behind the walls of the cloister, these revisions do not change one iota the dramatic development of the work. The scenery mutates
imagination and easily with three simple elements that make up the scenes with access doors, bar tops, niche dead and convent cloister.
The accompanying sound and lighting The tension stress, love and intrigue that goes before our eyes. The transitions between scenes are choreographed and allow a moment of relaxation and fun between psychedelia and funky.
The cast of actors is high, if you also add that many of them have split into several characters without these mutations affect the understanding of the work. But after the final ovation I can not but wonder how it would function if Tenorio maintain its thug attitude from the beginning: Macarra in the pub and on the street. Love pimp pimp and humiliated. The sharp in his pimp hand and finally, back to hell, a badass defeated.
not miss this exciting proposal Temple Theatre. A unique opportunity to enjoy the brilliance of a classic English drama but located in a historical context that allows you to review issues such as morality, honor and lessons exemplifying that belonged to another era.
's proposal is risky and yet works very well in the first scene between pimps, hostesses and colleagues with shirt collars so big as their egos. Don Juan in the street gang loses the spark of the beginning, will be at night or maybe the ladies to show less street. Then comes the really love to see the Guadalquivir, and Tenorio enthralled with the virginal beauty covers her eyes, silent gesture arrabalero definitely the face of love. And they come on the blades and dreamed of a duel where the steel bandit silver stain the moon of fire. But the knife was so despicable and faster than expected where there were only showcasing scenes. Back
Tenorio iron, hair in search of their dead. Doubts and fears plaguing him, or perhaps are emboldened remorse until he lost his excesses with wine and consciousness, and a celebration of the die for the same steel that was once the glory of his name and his stubbornness.
dramatic work to change the time at which the action is success because it keeps the words of Zorrilla shaped by the actors with excellent results, reciting cadence calling the characters and the clarity required by the tables. Never mind that the officers did not arrest the cock, or that the landlord is a waitress, even nuns and priests change behind the walls of the cloister, these revisions do not change one iota the dramatic development of the work. The scenery mutates
imagination and easily with three simple elements that make up the scenes with access doors, bar tops, niche dead and convent cloister.
The accompanying sound and lighting The tension stress, love and intrigue that goes before our eyes. The transitions between scenes are choreographed and allow a moment of relaxation and fun between psychedelia and funky.
The cast of actors is high, if you also add that many of them have split into several characters without these mutations affect the understanding of the work. But after the final ovation I can not but wonder how it would function if Tenorio maintain its thug attitude from the beginning: Macarra in the pub and on the street. Love pimp pimp and humiliated. The sharp in his pimp hand and finally, back to hell, a badass defeated.
not miss this exciting proposal Temple Theatre. A unique opportunity to enjoy the brilliance of a classic English drama but located in a historical context that allows you to review issues such as morality, honor and lessons exemplifying that belonged to another era.
Teatro Principal de Zaragoza
Work: DON JUAN TENORIO
Company:
TEMPLE THEATRE Dates: From 9 to 13 March
Functions:
Thursday 10: 9:00 p.m. Friday
11: 22.00 h
Saturday 12: 10 p.m.
Sunday 13: 7:00 p.m. _____
Address Carlos Alfonso Martín
Plou
Drama Production Set
Maria Lopez Insausti Thomas Lighting Bucho Ruata
Criñena
Clothing Beatriz Fdez Barahona
Characterization of Virginia Maza Anguilla Photography Collective Graphic Design Wadstudio
July Distribution Perugorría
Cast: Ivana
Smithies
Francisco Heredia Rosa
Gabriel Latorre Lasiter
Marco Aurelio Miguel Agustín González
Sasha Montenegro
Francesc Tamarite
Plou
Drama Production Set
Maria Lopez Insausti Thomas Lighting Bucho Ruata
Criñena
Clothing Beatriz Fdez Barahona
Characterization of Virginia Maza Anguilla Photography Collective Graphic Design Wadstudio
July Distribution Perugorría
Cast: Ivana
Smithies
Francisco Heredia Rosa
Gabriel Latorre Lasiter
Marco Aurelio Miguel Agustín González
Sasha Montenegro
Francesc Tamarite
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