On Saturday 12 March, in winter activities organized by the City of Cadrete, the performance was held Raquel Agudo & Robert Evan. The concert took place in the cozy hall of the City Council on a single platform and with a great sound. Evan Robert
action began tuning his guitar, apparently, the outbreaks caused a temperature change which modified the string tension. That was the first track. Robert is a sensitive interpreter, attentive to small details to make big music. Dharma plugs and adjusted his body in the form of embrace, the makings of wood. The virtuosity of his fingers reached to touch the beauty on the frets and finish the details of each and every one of the themes with a delicate gesture that let up the last vibrations of the strings of his guitar. Raquel Agudo
sang with flexibility and tailored his voice to each of the styles. Delicate high notes, low and deep with emotion always, managed to qualify the environment from the truth of his interpretation. He gave us the spark of his eyes that was looking for emotional connection with the public. He also right words to present the songs were sometimes didactic, others had the right amount of irony and intelligent and always conveyed the passion of the trade who enjoys singing.
The soul concert program began, he went to Brazil and returned to the British pop wave to lead to the longing of a heart without love does not deserve to be loved. The bossa reminded that there are also masks in love and when the influence of Bach, Rachel placed her hands over their hearts and Robert digitized to sit in the bay of San Francisco. All we spend life in a whistle and voice regained the southern soul of cotton and navigate at sea. A breeze rocked the audience with contrails blue foam. Then the eyes of Rachel, and her hair windblown, and went after Robert playful notes. The trip ended in a Galician coast washed by the rain in April and a light bossa announcing the new day.
The Cole Porter night was when the smoke black and white rent a bar, a glass with ice, a smile that breaks your heart: The heat of a winter den in New York with the door and a singer , clinging to the nozzle shell of a cigarette, which pinpoints the essence of jazz.
In Cuba the son and the black guaguancó sing lullabies to their children, songs for dreaming of a life of flowers, Caribbean and capital. As in all lives, a treason to price where it had bass guitar and the ebb and torn by an injury. But life with optimism prevails to a great little one song without losing one iota of the emotion of living the life.
Finally we went to Broadway. The bright glare of thousands of stars in the interpretation, sticks of black shoes to sing behind the scenes of improvisation.
Robert Evan and Rachel are two virtuous acute as to illustrate this story. Both come in contact at two points, guitar and vocals, to merge some of its areas, and create a slice of musical wisdom with the emotional capacity of subtlety. The rest of the surface musical spirits retain their own personality, so that each of the songs they perform stopping to perfection and show the individuality of each of them: a symbiosis of many carats.
action began tuning his guitar, apparently, the outbreaks caused a temperature change which modified the string tension. That was the first track. Robert is a sensitive interpreter, attentive to small details to make big music. Dharma plugs and adjusted his body in the form of embrace, the makings of wood. The virtuosity of his fingers reached to touch the beauty on the frets and finish the details of each and every one of the themes with a delicate gesture that let up the last vibrations of the strings of his guitar. Raquel Agudo
sang with flexibility and tailored his voice to each of the styles. Delicate high notes, low and deep with emotion always, managed to qualify the environment from the truth of his interpretation. He gave us the spark of his eyes that was looking for emotional connection with the public. He also right words to present the songs were sometimes didactic, others had the right amount of irony and intelligent and always conveyed the passion of the trade who enjoys singing.
The soul concert program began, he went to Brazil and returned to the British pop wave to lead to the longing of a heart without love does not deserve to be loved. The bossa reminded that there are also masks in love and when the influence of Bach, Rachel placed her hands over their hearts and Robert digitized to sit in the bay of San Francisco. All we spend life in a whistle and voice regained the southern soul of cotton and navigate at sea. A breeze rocked the audience with contrails blue foam. Then the eyes of Rachel, and her hair windblown, and went after Robert playful notes. The trip ended in a Galician coast washed by the rain in April and a light bossa announcing the new day.
The Cole Porter night was when the smoke black and white rent a bar, a glass with ice, a smile that breaks your heart: The heat of a winter den in New York with the door and a singer , clinging to the nozzle shell of a cigarette, which pinpoints the essence of jazz.
In Cuba the son and the black guaguancó sing lullabies to their children, songs for dreaming of a life of flowers, Caribbean and capital. As in all lives, a treason to price where it had bass guitar and the ebb and torn by an injury. But life with optimism prevails to a great little one song without losing one iota of the emotion of living the life.
Finally we went to Broadway. The bright glare of thousands of stars in the interpretation, sticks of black shoes to sing behind the scenes of improvisation.
Robert Evan and Rachel are two virtuous acute as to illustrate this story. Both come in contact at two points, guitar and vocals, to merge some of its areas, and create a slice of musical wisdom with the emotional capacity of subtlety. The rest of the surface musical spirits retain their own personality, so that each of the songs they perform stopping to perfection and show the individuality of each of them: a symbiosis of many carats.
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