Last Friday I took a Municipal Bizi the stop 36, which is next door. Pedaled along the shore facing the north wind giving Rasmia losing the arrival of the night. Halfway to go anywhere I changed plans and returned on my tracks. Municipal Bizi I left at the stop 36, which is next door, and entered the bookshop The Little Theater of Luis Borrás Books where he presented his first book entitled "Change of plans." The cycling odyssey was only an excuse, the pleasure of realizing that Juan Luis Saldaña said that my comings and goings on board two wheels city as a prelude to these chronic curves of the cornea. A large group of spectators were now running riot with the large round table that serves as a stage for presentations and other literary soirees. The projector threw the image of Juan Luis Saldaña on the wall. The journalist, who had in his hands a book bound in black, gave a message of apology. An unexpected snowfall had left the other side of Monrepós. It was impossible to get to the library but was prepared via SMS message with the video image, to exercise a presenter. Then came a guy on the screen Saldana approached and reminded him that the book in his hands was not that of Luis Borrás. Copies in a poke was nothing exemplary and Juan Luis Saldaña, with "Change of plans" in their hands, fits perfectly the skid and came so high that, as in The Purple Rose of Cairo Woody Allen, left the projection and presented the mortal flesh on stage. The applause of those present were abundant and widespread and I, Mia Farrow-style, I fell in love appeared. Juan Luis Saldaña
beat out a dizzying exhibition anarchic discourse. Mixed experiences, literary reflections on the book and thus navajera jump on all the puddles to laugh and to achieve accurate center of the target. The sharp verbal moved to the present to the land of naughty phrases cooking vinegar diluted in sugar, always close to the edge of being brilliant and provocative. You can feel at ease and shows the brilliance of a genius cemented fast avalanche of words.
Saldana recalled a radio interview with Fofito as protagonist and was impressed that the clown dressed as a clown to talk on the airwaves. The heroic act of being a character around the clock. One advantage of being a writer, he said, is the ability it gives you the literature to move in your own self and become a murderer, a Galician or the most despicable kind. The magic of going beyond reality and escape from this world.
confessed his weakness for a story that distilled his fondness towards the father figure, and that invisible line that defines the parent-child relations: The immense hatred and love of youth is balanced by maturity. Luis Borrás
stressed that it was far from being an aggressive but their characters killed, a situation to ask how far the fiction in "Change of plans," a book very much according to the Book The Little Theater of the Books that have managed to transform a warehouse for car sales in a magical place. A bookstore cojonuda. "
Saldana recalled his work step the Barrio de Las Fuentes and as a bank branch fiction emerged as a natural extension of a real neighborhood, an area in which the literature was walking through the streets, canals and reality of life in first person, as stories of "Change of plans, evocative literature that ran wisely dielectric space separating the reality of the legend, the place where the imagination took possession of the stories.
A book of short stories with many slain, because the binomial death - fantasy always was, he said, a sure value in literature. It was then that the author of "End of stock" as he told us was wrong to temptation killing one of the protagonists of one of his stories. The salvation of the character calmed his conscience but caused the death of the text that sleeps the sleep of the just at the bottom of a drawer. This experience would demonstrate that narrative issues, imagination, must prevail to its ultimate consequences.
Saldaña said, final corollary, that the greatest virtue of "Change of plans" was his honesty and Luis Borras told the need to leave a little style so that you take his hand and takes you from the beginning to end of story, and invited him to engage with other higher-risk roads narrative. Luis Borrás took
words and appreciated the assistance to their friends, the support of the editor, the breath of the bloggers, the company of photographers and just about everything to his wife, removed hours sleep and even those who were there and nothing knew him. He confessed that after a talk with Saldivar was dedicated to counting the number of deaths that appeared in the book and concluded that it was not so bad because, in addition to present it in different ways, death is the most radical change of plan. He continued
the stud Saldaña presentation and admitted that one of the stories came about through a book of photographs of Catalá Roca in Barcelona showing the fifties and its inhabitants. The territory which transited its parent, and if life had not provided a very smooth with it, maybe these pictures would be the path to better communication. Luis Borrás
was happy with the six short stories in the book. Condensed texts to get a story that can be counted in less than a minute, a stylistic challenge blogger determined by the nature of these stories were born, like the rest, with the intention to move, to provoke some kind of feeling in the reader more beyond the actual enjoyment of reading. That's why I like traveling Luis Borrás territories border by walking where the wounds of hatred and the joys of love. The path of dreams laid out in the air and always change. The folds sad life for happiness, so easy to show, is much less narrative. Written in first person by a question as practical as easy to tell things from the author's own view, without this autobiography is the mother of the lamb and, as emphasized by a couple of readers present at the event, with touches a fine and intelligent humor.
Juan Luis Saldaña took the floor again and showed us one of the tricks used by journalists, without reading the pages of a book, a successful exit interview an author on a promotional tour.
The key is the first question will always be How did this book? In answer to this question is to find the subject of the following question and continue with the mechanics to complete the set time between commercial breaks. Saldana said the system works if you always run the risk of colliding with a vicious author I answered something like: This book came after me several times with your mother. Then the magazine journalist, the profession of risk, is lost.
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